

It may not have completely integrated rap, but it was a precursor to a culture that became more inclusive and widespread after its arrival.

Ein Modell welches von vielen anderen Herstellern vertrieben wurde.Toshiba, Palladiu. The Cactus Album was also important because it proved to the hip-hop heads that white kids could play along without appropriating or bastardizing the culture. Aus meiner Sammlung, ein groer Doppeldeck-Recorder, der Sankei TCR-S90. Not every single idea plays out successfully - Serch's Tom Waits impression on "Flippin' Off the Wall." is on the wrong side of the taste line, and "Desert Boots" is a puzzling Western-themed insertion - but they are at least interesting stretches that add to the dense, layered texture of the album. The album received positive reviews from the hip hop press and is also notable for featuring the recording debut of rapper Zev Love X of KMD, later known as MF DOOM, on The Gas Face. Matching MC Serch's bombastic, goofy good nature and Prime Minister Pete Nice's gritty, English-trained wordsmithery (sounding like a young Don in training), 3rd Bass' debut album is revelatory in its way.

The duo may not have come from the streets, but their hearts were there, and it shows. The Cactus Al/Bum (also known as The Cactus Cee/D and The Cactus Cas/Ette depending on release format) is the debut album by hip hop trio 3rd Bass, released on Def Jam Recordings on November 10, 1989.
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For one, it is full of great songs, alternately upbeat rollers ("Sons of 3rd Bass"), casual-but-sincere disses ("The Gas Face"), razor-sharp street didacticism ("Triple Stage Darkness," "Wordz of Wizdom"), and sweaty city anthems ("Brooklyn Queens," "Steppin' to the A.M.," odes to day and night, respectively), with A-plus production by heavyweights Prince Paul and Bomb Squad, as well as the surprising, overshadowing work of Sam Sever. Matching MC Serch's bombastic, goofy good nature and Prime Minister Pete Nice's gritty, English-trained wordsmithery (sounding like a young Don in training), 3rd Bass' debut album is revelatory in its way. Buy the album Starting at $22.59īesides the upper-middle-class frat-punks-in-rap-clothing shtick of the Beastie Boys and emissary/producer Rick Rubin, who both gained a legitimate, earned respect in the rap community, there were very few white kids in rap's first decade who spoke the poetry of the street with compassion and veneration for the form.
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Purchase and download this album in a wide variety of formats depending on your needs.
